Sestina for the Black Deathwatch Beetle (1); Triolets of Colours (2); My Friend The Sea (Rondeau Redoublé) (3) – Bijaan Noormohamed

Sestina for the Black Deathwatch Beetle

It moves at dark, emerging from the shadows.

Silence mutes the scuttle of a black beetle,

whose wicked wander illuminates the all-pervading black

that delights to take everything into nothingness. 

Yet still, it knows

that no one will ever care.

“Help, help!” the victim cries. It doesn’t care.

The trans – gender is dragged into the shadows, 

but it is something that he knows

that lays a —shhh!— on his mouth. To submit to silence like the beetle 

decrees that nothingness 

must always preside over the land of black.

The beetle subverts the black

—Pallas Athena would be proud—but finds it doesn’t care.

It simply envelops. Thrust into nothingness, 

it stumbles drunk, inferior and meaningless into the shadows

where it  — the beetle

scuttles along and knows

that (Tell them!) it knows

N-O-T-H-I-N-G. Nothing about the black.

Nothing about society driving humanity like the sadistic beetle

to the depths of Tartarus, nothing about the care

withheld from untouchables. The shadows,

it can be said, elevate the soul to a place of nothingness …

AT. WHAT. COST? The bliss of nothingness

equates to weakness. Society knows

that the weak cannot handle the shadows.

It breathes the air black 

with fury. It wants to care

about poverty and set itself free of life. The beetle

flies high. And the beetle

knows that it too has faded into nothingness.

Nothing can challenge the will to wander. Not to care

is what it knows.

It is not a speck of oblivion in the perpetual black

but an individual—a vagabond—emerging triumphantly from the shadows.

The vagabond does not care, but he knows

that the black deathwatch beetle insinuates nothing,

wandering free from the black into the flickering shadows. 


Triolets of Colours

Blood

As the red creeps out from o’er the hill

men take their flight from their nuptial beds.

He arrives with a thrill

As the red creeps out from o’er the hill

But notices that all is still

And he too perishes instead

As the red creeps out from o’er the hill

men take their flight from their nuptial beds.

Freedom

It wanders unchained

And fills the crevices inside the deep blue.

The aura of Poseidon’s lair cannot be explained.

It wanders unchained

Searching and yearning to be attained

What information shall come through?

It wanders unchained

And fills the crevices inside the deep blue.

Dynamism

Oh, for she is bright!

Eos’ radiance pervades the beautiful.

The dawn, awakening from her slumber, is a divine sight:

Oh, for she is bright!

Casting her warmth on unworthy mortals she has no right

For they are all presently delusional.

Oh, for she is bright!

Eos’ radiance pervades the beautiful.

Ephemerality

We plummet to the depths of the underworld.

Sent with two obols, the psychopomp Charon is pleased!

He navigates his boat across the Styx, remaining in the netherworld.

We plummet to the depths of the underworld.

For we shall never again know joy: our souls have been furled.

Death beckons; our lives have been seized.

We plummet to the depths of the underworld.Sent with two obols, the psychopomp Charon is pleased!


My Friend The Sea (Rondeau Redoublé)

It is you, my friend the sea!

Bashful and beautiful you sweep me dry

As your salty brine wipes my tears free.

It is you, you see, that makes me cry.

He left to be free from Molokaʻi:

that wasted isle. Rife with strife, Papa had to flee

tonight: where he wouldn’t see the sun, where the world bid him goodbye. 

It is you, my friend the sea!

Corpses lined Waikiki,

trodden by their masters. The whites would just standby.

Ordered by them, kanakas threw them in the sea.

Bashful and beautiful you sweep me dry.

Out, out and to the west Papa relies:

The currents swift him west. Maybe

it’s a good thing he’s gone yet I still C-R-Y

As your salty brine wipes my tears free.

Faster and faster they hold him steady

Floating by Polenekia: the ancestral abode. Yet he is defied,

Wailing and flailing there is no mercy.

It is you, you see, that makes me cry.

Finally Papa arrives:

W-P-G1 is awry. Is this where he’s meant to be? REALLY?

Oh, fie, you damned earth! No wonder everyone dies!

Now I see you, my dear friend the sea:

It is you. 

1. WPG refers to the Western Pacific garbage patch, an amalgamation of marine debris centered around the Kuroshio gyre.